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Men of Color in Higher Education: New Foundations for Developing Models for Success

Williams, Ronald A. and Hrabowski, Freeman A.
Stylus Publishing, Llc., 2014

Book Review

Tags: diverse learners   |   diversity   |   racial and ethnic diversity
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Reviewed by: Eboni Marshall Turman, Yale Divinity School
Date Reviewed: November 30, -0001
The title of this volume alone, Men of Color in Higher Education: New Foundations for Developing Models of Success, inspires intrigue in educators and administrators who are concerned about the relative dearth of men of color in higher education. The absence of men of color in higher education and the regular portrayal of their poor academic performance has been propelled by deficit discourse contending that men of color are defective ...

The title of this volume alone, Men of Color in Higher Education: New Foundations for Developing Models of Success, inspires intrigue in educators and administrators who are concerned about the relative dearth of men of color in higher education. The absence of men of color in higher education and the regular portrayal of their poor academic performance has been propelled by deficit discourse contending that men of color are defective and inadequately suited for the academy. This volume interrogates this perspective and counters studies and programs that have largely been guided by the presumption of men of color’s academic “deficiency.” It intimates that college and university approaches (or lack thereof) to educating men of color are habitually insufficient and offers compelling evidence that supports “a strengths-based approach” (xi) as a model for success for academic institutions that aspire to effectively educate Black, Native American, Latino, and Asian American and Pacific Islander (AAPI) men.

This timely investigation was prompted by consideration of the inadequate educational progress of Black men, but pushes beyond “the two most politically visible groups” (xiii), namely African American and Latino men, toward a more inclusive depiction of men of color in higher education. Although culturally distinct, Williams contends that there are conspicuous social continuities between men of color that can be leveraged for the work of developing models of success that are responsive to their educational needs. Intersectionality, the ways in which men of color’s lives connect and overlap based on shared experiences of gendered power relations and social marginalization, is the guiding framework of the project. It is propelled by black feminist standpoint theory that highlights the “problem of patriarchy” and racial gender roles as social dilemmas that not only negatively affect the lives of women, but are also severely detrimental to men of color.

The volume’s engagement with AAPI intersectionality, the Native American experience of ahistoricism, and Latino masculinity was revelatory in its presentation of damning statistics that unveil the educational deprivation of men of color across racial/ethnic designations, shatter model minority social mythologies that characteristically position AAPI men as overwhelmingly successful in higher education, and most importantly uncover the underperformance of academic institutions in relationship to men of color. The most convincing aspect of the argument is found in its exploration of the effects of racialized gender roles and its assertion of action steps that point toward models of success for teaching and learning in higher education, but that are dependent upon naming social realities and “(re)setting” an educational agenda that is responsive to the heterogeneity of minoritized college men.

Even as intersectionality theory emphasizes the double/triple jeopardies of racialized gender identities, there is no doubt that men of color have historically been gender-privileged in theological education as opposed to their female counterparts of color, precisely because of the status quo favorability of cisnormative male religious leadership. In fact, the emergence and marginalization of feminist and womanist theological and ethical inquiry offers evidence of women’s continued subordination in the church and theological academy. Reading Men of Color in Higher Education as a Black womanist theological ethicist who is driven by a traditionally communal ethic concerned with the flourishing of all people – male, female, and non-gender conforming – but who is also clear about how patriarchy compromises Black men’s theological burgeoning in the church and the classroom, the black feminist framework that drives the volume’s argument is particularly exciting. Its wrestling with the interplay of patriarchy and racial gender roles uncovers how even in spaces where men of color are demographically dominant to women of color their success is still threatened by the limits of patriarchy that often call them to perform communally death-dealing and sometimes even self-cannibalizing masculinities. In other words, although the gender demography of many theological schools is much different from colleges and universities, the core argument of the book concerning men of color and success in higher education is relevant and compels theological educators toward critical questions about effective teaching and learning for men of color.

 

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Culture and Online Learning: Global Perspectives and Research

Jung, Insung; and Gunawardena, Charlotte Nirmalani, eds.
Stylus Publishing, Llc., 2014

Book Review

Tags: online education   |   online learning   |   online teaching   |   racial and ethnic diversity   |   student diversity
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Reviewed by: Michael Newheart, Howard University School of Divinity
Date Reviewed: September 7, 2016
This helpful collection of seventeen essays addresses two important concerns within religious and theological studies: culture and online learning. Scholars of religion are giving increasing consideration to culture. (A search of Amazon for books on “religion and culture” yielded a hundred pages of “hits.” The first four books were simply entitled Religion and Culture.) Furthermore, more and more courses in religion and theology are offered online. Surprisingly, little research has ...

This helpful collection of seventeen essays addresses two important concerns within religious and theological studies: culture and online learning. Scholars of religion are giving increasing consideration to culture. (A search of Amazon for books on “religion and culture” yielded a hundred pages of “hits.” The first four books were simply entitled Religion and Culture.) Furthermore, more and more courses in religion and theology are offered online. Surprisingly, little research has been done in culture and online learning, and this book seeks to address this lack.

Authors in this collection hail from Europe, North and South America, Asia, and Australia. (Unfortunately, none are from Africa.) The book appears as the third in a series, Online Learning and Distance Education. Editors Jung (from Japan) and Gunawardena (from Sri Lanka, teaching in the U.S.) write solely or collaboratively in eleven of the seven essays. The essays are grouped around eight themes: (1) learners, learning, and learner support, (2) non-native speakers, (3) facilitating learning, mentoring, and professional development, (4) learning design, identity, gender, and technology, (5) visual culture, (6) leadership, (7) quality, and (8) research.

Many of the authors wrestle with a definition of culture. In the first essay, “Perspectives on Culture and Online Learning,” the editors write, “Culture impacts every facet of online learning, from course to interface design, to communication in a socio-cultural space, and to the negotiation of meaning and social construction of knowledge; thus a definition of culture that is flexible, dynamic, and negotiable is more appropriate to understand the online learning context” (1).

Interesting insights are scattered through this collection. In “Online Identity and Interaction,” Gunawardena notes that students from Sri Lanka and Morocco “look to the online medium as a liberating environment that equalizes status differences” (35). In “Emerging Visual Culture in Online Learning Environments,” Ilju Rha (South Korea) urges online educators to integrate more visuals in their online courses. In “Accounting for Culture in Instructional Design,” Gunawardena, Casey Frechette (US), and Lumila Layne (Venezuela) introduce the Wisdom Communities instructional design model (WisCom), which “was developed to inform the design of collaborative online learning experiences” (57). (For more about WisCom, see https://prezi.com/1unppl6dh2a-/new-model-new-strategiesinstructional-design-for-buildingonline-wisdom-communities/.)

In “Transformative Learning through Cultural Exchanges in Online Foreign Language Teaching,” Kerrin Ann Barrett (US) includes tips for instructors, such as “remember to breathe,” and tips for learners, such as “show your creative side in activities (asynchronous and synchronous)” (146). In “International Interpretations of Icons and Images Used in North American Academic Websites,” Eliot Knight (US), Gunawardena, Elena Barberà (Spain), and Cengiz Hakan Aydin (Turkey) write, “Many of the images and icons used in online environments depend on the meanings, concepts, metaphors, objects, and so on that are bound to the particular cultural context in which they were designed” (149).

Just as neither religion nor culture is monolithic, neither is online learning. This stimulating collection from around the world will help online teachers to negotiate better the various cultural divides and thus offer our students better online learning experiences.

It was by now a pretty well-known social experiment. A man dressed like a homeless person collapses on the street and is ignored by pedestrians; when the same person puts on a business suit and collapses on the same street, however, a number of strangers quickly come to his aid. ...

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Becoming Critical: The Emergence of Social Justice Scholars

Briscoe, Felecia M.; and Khalifa, Muhammad A., eds.
SUNY Press, 2015

Book Review

Tags: faculty identity   |   power and privilege   |   racial and ethnic diversity
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Reviewed by: Katherine Daley-Bailey, University of Georgia
Date Reviewed: August 30, 2016
This book presents readers with eleven compelling autoethnographies that combine critical theory and scholars’ lived experiences. Each contributor deserves its own recognition for the courageous act of opening up private spaces for public discussion, utilizing their own experiences as data. Described as a “nontraditional way of knowing,” autoethnography, as a form, “challenges the criticism of traditional positivist epistemologies regarding ‘objectivity, absolute truth, and ‘validity’’” (13, 7). The text’s editors, Felicia M. ...

This book presents readers with eleven compelling autoethnographies that combine critical theory and scholars’ lived experiences. Each contributor deserves its own recognition for the courageous act of opening up private spaces for public discussion, utilizing their own experiences as data. Described as a “nontraditional way of knowing,” autoethnography, as a form, “challenges the criticism of traditional positivist epistemologies regarding ‘objectivity, absolute truth, and ‘validity’’” (13, 7). The text’s editors, Felicia M. Briscoe and Muhammad A. Khalifa, remark that they choose critical autoethnography as a genre because it “allows us to represent knowledge outside a traditional European framework” (13).

Western academe is itself a culture – one historically dictated by White middle-class male norms. Autoenthographies produced by those belonging to marginalized and often silenced groups counter and disrupt narratives of the dominant academic discourse. Each of these scholars tells their own story and documents their experience of ‘becoming critical’ when they recognized the oppressive power of relationships at work in their worlds, reacted to them, and in the end, endeavored to steer society towards “greater social, political, and economic equity” each in their own way (10). These autoethnographies are, in short, counter-narratives for social justice within higher education.

Drawing from such disparate sources as Comedy Central’s Chapelle’s Show to renowned theorists such as Patricia Hill Collins, Paulo Freire, and Pierre Bourdieu, these texts pull from a diverse range of mediums. While the experiences are varied and multifaceted, much of the theory drawn upon overlaps. Many of the authors use a Foucauldian understanding of the power/knowledge relationship (splendidly illustrated in Briscoe’s chapter) which suggests that power is not totally in the hands of one person. As Briscoe states, “people cannot be neatly divided into oppressors and the oppressed... we are oppressors in other ways” (120-121). Other common theories pervade the series, such as CRT (Critical Race Theory) which highlights the endemic nature of racism in American society. Many of the authors give a cursory nod to Judith Bulter’s concept of one’s identity as performative. However, Miguel De Oliver’s “We’re All Half-Breeds Now…in a Not so Ivory Tower” describes how, for the “racially ambiguous,” the space that one occupies becomes the “key to presumptions of identity” (228). In his experience, he need only occupy a particular space to be ascribed a specific identity (foreigner, Latino, “White,” Navajo, “Black athlete,” and so forth) (225-241).

Whether the chapter is about a Gusii woman (Damaris Moraa Choti) living in a world of male domination, experiencing cultural pressures (from primarily women relatives) to undergo clitoridectomy, who finds solace in her family’s Christian faith and love of education or a Black, male, Muslim’s (Muhammad A. Khalifa’s) encounter of being automatically singled out in class to respond to a Boyz N the Hood trailer because in the “White imaginative” Black males are expected to identify with the gangster nature, readers will be challenged by the worlds presented and drawn into the experiences described. Sadly, there are no easy answers and speaking out against institutional injustices often has very real material consequences (as noted in the chapter “Too Black, Yet Not Black Enough: Challenging White Supremacy in U.S. Teacher Education and the Making of Two Radical Social Misfits” by Brenda G. Juarez and Cleveland Hayes).

The case studies are divvied up by the contributor’s experience based on race and gender but perhaps the most instructive section focuses on the case studies documenting scholars’ intersecting dimensions of identity (race, gender, ethnicity, class, religious, and so forth). The autoethnographies in this section track how the authors embody multiple (sometimes conflicting) identities, occupy a myriad of roles, and negotiate their personal and professional identities amid the confines of higher education. In the chapter, “Working the Hyphens: Ethnographic Snapshots in Becoming Critical-Female-Black-Scholars,” El-Amin, Henry, and Laura fight the notion that there is “no room for real PhDs to take seriously scholarship that is politically, historically, and personally rooted in multiple identities” (208). These scholars’ stories – in fact, their very existence – explode the myth of the monolithic scholarly experience.

As the American university becomes exponentially diverse, college professors and administrators will need to be well-versed in critical theory as well as actively engaged in dialogues on difference. This book exposes the reader to both. Readers need not be educational professionals or “theory heads” to benefit from the stories presented here; anyone invested in social justice and educational equity will be rewarded by hearing these voices.

Last time we talked about the body in the classroom. Our body, my body, the bodies of my students, are all shaped by institutional bodies that carry values, marks, love, deceptions, commitments and history. Just as our bodies carry constructions of race, gender, sexuality and so on, so too do ...

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